From 23 May 2026 to 21 March 2027, the Fries Museum will present the exhibition Robert Zandvliet: On the Shores of Time. This year, the work of this artist, who was originally from Friesland, will be featured in two major international exhibitions, and the comprehensive monograph Monolith will be published. The Fries Museum began collecting his work early on and now sees an opportunity to bring Zandvliet’s oeuvre back into the spotlight with a comprehensive retrospective. The exhibition begins with works from the museum’s own collection and concludes with a painting fresh from the studio.
Robert Zandvliet’s body of work is characterised by his quest for the essence of the image. With his compelling and direct style, he navigates the tension between figuration and abstraction. Zandvliet made his debut in the late 1990s with a series of monumental paintings of everyday objects: a rear-view mirror, a cinema screen, a hairpin. The clean lines of these objects later merge with those of a road network and a landscape, a theme that has since run like a thread through his work. This exhibition traces his development over the past 30 years. The exhibition opens with the hairpin from the Fries Museum’s collection and concludes with Arundo, one of his most recent paintings of reeds reflected in water.

